tag:blogger.com,1999:blog-74119529640193391522023-11-16T11:57:34.093-05:00MULHERIN + POLLARDKatharine Mulherin Contemporary Art Projectshttp://www.blogger.com/profile/07359467533767645952noreply@blogger.comBlogger63125tag:blogger.com,1999:blog-7411952964019339152.post-64183131167009366412013-02-14T14:50:00.001-05:002013-02-14T14:50:52.563-05:00MIke Swaney at Noestudio in Madrid<br />
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<b><span style="line-height: 1.1em;">Opening Friday February 15th at 21:00 h</span><span style="line-height: 1.1em;"> </span></b></div>
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<span style="line-height: 1.1em;"><b>February 6 - March 7, 2013 </b></span></div>
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For the first time, Mike Swaney Canadian artist presents his work in Madrid. Although related to previous work, this time Swaney is fully immersed in the paint to address the concept of Post Internet art.<br />
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"•)", a computer lopsided smile, title of the show, acts as a starting point from where Mike takes another step against the collages in which he had been working so far.<br />
exposure and residence of the artist are the result of a collaborative project between art space Delimbo, Seville, and noestudio.<o:p></o:p></div>
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Moving to painting on canvas internet codes , Swaney opens a new line of exploration. To do this, working from the imagination, as opposed to an element using photographic images, and intentionally go feed channels as Jean Dubuffet, Art Brut, Outsider Art and Internet art . In this new period reflects his interest in the idea of expression and OutsiderArt.<o:p></o:p></div>
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In his work introduces computer icons, navigation bars, symbology and signs used online. They accumulate and become abstract elements that build, structure and constrain the surface of the painting. Emoticons, language chats and blogs are now noticeable references. The faces of the figures are simplified and remember these signs: •) which Swaney, not without irony, often used as a signature, as an external link on his personal website, on your blog and in your email. The browser toolbar acts as a frame around the contents of the box to raise questions about the online life needs and how we make a computer screen becomes our lens through which we see life.<o:p></o:p></div>
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<i>Mike Swaney (1978, Kimberley, British Columbia, Canada) was formed in Capilano University, Vancouver. Made exhibitions in Brussels, New York, Miami, Toronto or Vancouver , among others. And has participated in group exhibitions in Europe, USA and Latin America. In addition, scholarships have been awarded as the Fountainhead Residency, Miami, 2008 or the recently Residency concedidada by CCA Andratx, Mallorca, you will enjoy from June 2014. Currently working with galleries Alice Gallery ,Brussels , Diana Lowenstein Gallery, Miami ; Delimbo Gallery, Sevilla , and Katherine Mulherin, New York - Toronto .</i></div>
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s creagen http://www.blogger.com/profile/16866128569692827517noreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-40353927016259368742013-01-18T14:30:00.000-05:002013-01-18T14:37:10.258-05:00<b>David Kramer, <i>Epic Memories, </i>and Michael Harrington, <i>Recent Works</i></b><br />
Opening Thursday January 24th, 6-9pm<br />
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January 24 - February 24, 2013</div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: 16px; vertical-align: baseline; white-space: pre-wrap;">David Kramer:</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: 16px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;"> Epic Memories </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBJ5PQTVeJjR7wWaEgBMDS6gxTjBDcUM_ksSAT4a2oC3j0lWrZdMOvYMUDi_4qcuJ7HZuXoMLgvDR7ulVmeJe_zPQDfF4csJ7aBBJv4l5_tkqKtXufT_kFssd0XurKpu2zC9YI6mHJKinS/s1600/DAVID+KRAMER+FRONT+good+quality.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBJ5PQTVeJjR7wWaEgBMDS6gxTjBDcUM_ksSAT4a2oC3j0lWrZdMOvYMUDi_4qcuJ7HZuXoMLgvDR7ulVmeJe_zPQDfF4csJ7aBBJv4l5_tkqKtXufT_kFssd0XurKpu2zC9YI6mHJKinS/s320/DAVID+KRAMER+FRONT+good+quality.jpg" width="221" /></a><span id="internal-source-marker_0.4273337016347796"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;">For his new exhibition, </span><span style="font-size: 16px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">Epic Memories</span><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;">, four large scale paintings showcase David Kramer’s characteristically deft, expressive and richly colored painting. Combined with his signature incisive and witty text, Kramer’s work evokes an elusive American dream with both irony and yearning. Recalling the gloss and romance of 1970’s print advertising culture from his youth, Kramer speaks directly to the viewer in some of his most personal work to date, satirizing his own unrequited and boundless desire for things that offer only temporary fulfillment and diversion.</span><span style="font-weight: normal;"><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"></span></span><br /><span style="font-weight: normal;"><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"></span></span><br /><span style="font-size: 16px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">David Kramer was born in NYC where he currently lives and works. Despite his firm East Coast roots, Kramer’s head is constantly looking west toward the setting sun and palm trees of Hollywood and LA. He is the 2012 EESI Award Winner and a 2011 LES Printshop Special</span><span style="font-weight: normal;"><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"></span></span><br /><span style="font-size: 16px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">Editions Fellow. Since 2009 he has been a contributor to the NYTimes.com Opiniator Section. Recent shows include “Hangover, Too,” Mulherin and Pollard (NYC 2011), “This Is What Its Like,” Galerie Laurent Godin (Paris 2012) , and “Next Year in Los Angeles,” Torch Gallery (Amsterdam 2012). His drawings are in the collection of the Muse du Pompidou, French</span><span style="font-weight: normal;"><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"></span></span><br /><span style="font-size: 16px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">National Museum of Contemporary Art.</span></span><b style="font-weight: normal;"><span style="font-family: Helvetica; font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"></span></b></span></div>
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<b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><span style="font-size: 16px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Michael Harrington: </span><span style="font-size: 16px; font-style: italic; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">New Work</span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH49nU-bEofKcCjdwqXNL8_acOwPqm2HWXMc0f_drhE5ZokEwILvDjY53eR-3wsdyIGeMjl0Q4zLfWstCaM2y4OT-_TtNmQx-Hoo3oBXLFDG3C7zmlGJKDc6Gt2xYf522BSPbJA37YNsKZ/s1600/Cheetah+%2528small%2529+%2528varnished%2529+24x36+MICHAEL+HARRINGTON++OCT+2012+022.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH49nU-bEofKcCjdwqXNL8_acOwPqm2HWXMc0f_drhE5ZokEwILvDjY53eR-3wsdyIGeMjl0Q4zLfWstCaM2y4OT-_TtNmQx-Hoo3oBXLFDG3C7zmlGJKDc6Gt2xYf522BSPbJA37YNsKZ/s320/Cheetah+%2528small%2529+%2528varnished%2529+24x36+MICHAEL+HARRINGTON++OCT+2012+022.jpg" width="320" /></a><b id="internal-source-marker_0.4273337016347796" style="font-weight: normal; text-align: left;"></b></div>
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<b id="internal-source-marker_0.4273337016347796" style="font-weight: normal; text-align: left;"><b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;">In Michael Harrington’s vivid, mysterious and masterfully painted new canvases, the artist places his iconic male figures in a range of social habitats. The contemporary working world is reflected in a series of transient interiors and exteriors: hotel rooms, lobbies, boardrooms and barrooms, where men engage in ambiguous social rituals. He also places these elusive characters at leisure in dimly lit motels, South Florida vacation sites, recreational vehicles, and nighttime parking lots. </span></b></b></b></b></b></b></b></div>
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<b id="internal-source-marker_0.4273337016347796" style="font-weight: normal; text-align: justify;"><span style="font-size: 16px; vertical-align: baseline; white-space: pre-wrap;">Harrington's abiding preoccupation is the depiction of the human form occupying suggestive, intimate narratives that invite viewer’s empathy in scenes that are both familiar and enigmatic. Harrington's skillfully applies his representational craft to a broad range of subject matter including cinema, theatre, literature, music, family folklore, and personal memory. </span></b><br />
<b id="internal-source-marker_0.4273337016347796" style="font-weight: normal;"><span style="font-family: Helvetica; font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-size: 16px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">Michael Harrington graduated from the Ontario College of Art and Design in Toronto in 1989. He has exhibited extensively in Canada and the United States. His work has been reviewed in Border Crossings magazine, the Globe and Mail, the Boston Globe and has been reproduced in Harper's magazine. Harrington's work can be found in the collections of the Agnes Etherington Art Centre in Kingston, the Canada Council Art Bank, as well as numerous corporate and private collections in North America and Europe. In 2007 Harrington was awarded a gold medal from the Canadian National Magazine Awards for a painting commissioned by Toro Magazine. He lives and works in Ottawa.</span></b></div>
s creagen http://www.blogger.com/profile/16866128569692827517noreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-44603608246711670902013-01-11T13:32:00.000-05:002013-01-11T13:47:01.652-05:00Mike Swaney in the Daily Beast<div class="separator" style="clear: both; text-align: center;">
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Mike Swaney's Windowz in the <a href="http://www.thedailybeast.com/articles/2013/01/11/mike-swaney-at-mulherin-pollard-is-the-daily-pic-by-blake-gopnik.html" target="_blank">Daily Beast</a></div>
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s creagen http://www.blogger.com/profile/16866128569692827517noreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-30572981280028205182012-05-22T15:28:00.002-04:002012-05-22T15:28:57.790-04:00<br />
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<span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><b>SIN TITULO: </b></span></span></h2>
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<span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><b>CLIFF HENGST & SCOTT HEWICKER</b></span></span></h2>
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<span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">In</span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><em> Sin Titulo</em></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">, San Francisco artists Scott Hewicker and Clifford Hengst explore the nether worlds between sublime mystery and lurid banality. In drawing, painting, videos and performance, both artists mine sparsely populated interiors and haunted objects that reflect on the anticipatory charge of discreet physical contact through experience, memory, and fantasy.</span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">Hengst's watercolor and ink paintings on paper are based on dim light and shadows, and places people hide themselves both physically and emotionally. He investigates the darkness and mundane allure of anonymous settings and the strange and silent waiting game of boredom and promise.</span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">Hewicker's acrylic on canvas paintings take on a wide breadth of subject and styles from muted objects and abstracted figurations, to blurry landscapes and soft focus interiors. His new paintings concentrate on the empty low-resolution environments of bedrooms, bathrooms and various public and outdoor spaces emphasizing a compulsive ambiguity between public and private.</span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">Cliff Hengst has shown at Gallery 16, SF; Mariella Arts, Milan; Test-Site, Austin, TX; Yerba Buena Center for the Arts, SF; Second Floor Projects, SF, and LACE, LA.</span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">Scott Hewicker has shown at Jack Hanley Gallery, SF; Galleri Christina Wilson, Copenhagen; Deitch Projects NY, University Art Museum, Berkeley, CA; New Image Arts, LA and Second Floor Projects, SF. He co-curated the exhibition, Hauntology at the Berkeley Art Museum with Lawrence Rinder in 2010.</span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /></span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px;">Hengst and Hewicker will collaborate on a performance piece during the opening. They have previously collaborated together for the book, Good Times, Bad Trips published by Gallery 16 Editions in 2007.</span></span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; font-weight: bold;">MATTHEW FISHER</span></h2>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px;">April 25 - May 27, 2012</span></div>
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Mulherin + Pollard is pleased to present "Asea, Aloof," an exhibition of recent paintings and drawings by Matthew Fisher. Fisher is a Brooklyn, NY-based artist who makes stylized paintings that utilize symbolic placement, pattern, line, and a sense of the lasting touch of man on landscapes that reference universal timing, placement, and a frozen sense of now.</div>
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Fisher's latest works depict the sea as a contemplative space detached from human presence and often from any sense of land itself as well. Here, narrative is replaced by a concern with the quieter drama of the sea itself-the motion of its ripples, the fleeting nature of its form and appearance, and its interactions and relationship with light, space, the drifting clouds, and the passing of time.</div>
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Fisher was educated at the Columbus College of Art and Design and received his MFA from Virginia Commonwealth University in 2000. He has had numerous solo exhibitions including at Heskin Contemporary, New York (2010); RARE Gallery, New York (2009); ADA Gallery, Richmond, VA (2009 and 2006); and the University of the Arts, Philadelphia, PA (2006); and has shown extensively in group exhibitions in the United States and abroad. He was awarded a Fellowship in Painting from the New York Foundation for the Arts in 2010.</div>
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</div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-63518401444947129562012-05-22T15:22:00.001-04:002012-05-22T15:22:22.191-04:00Earthly Delights<br />
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<span class="Apple-style-span" style="font-size: x-small;">Earthly Delights is an exploration into the seductive nature of the apocalypse. Based loosely on Bosch's "The Garden of Earthly Delights", the works of Oscar de Las Flores, Kim Keever and Christy Langer are integrated in this exhibition to explore human, animal, and landscape in a fantastical, prophetic and tangible take on the world we live in.</span></div>
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<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: x-small;">Both menacing and enchanting, the works in this exhibition comment on our complexities negotiating our relationships within in an increasingly unnatural and complex world, pointing to past and current transgressions.</span></span></div>
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<span class="Apple-style-span" style="font-size: x-small;">Kim Keever's large-scale photographs are created by meticulously constructing miniature topographies in a 200-gallon tank, which is then filled with water. These dioramas of fictitious environments are brought to life with colored lights and the dispersal of pigment, producing ephemeral atmospheres that he must quickly capture with his large-format camera. Keever's painterly panoramas represent a continuation of the landscape tradition, as well as an evolution of the genre. Referencing a broad history of landscape painting, especially that of Romanticism, the Hudson River School and Luminism, they are imbued with a sense of the sublime. However, they also show a subversive side that deliberately acknowledges their contemporary contrivance and conceptual artifice. Keever's staged scenery is characterized by a psychology of timelessness. A combination of the real and the imaginary, they document places that somehow we know, but never were. The symbolic qualities he achieves result from his understanding of the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us. Rather than presenting a factual reality, Keever fabricates an illusion to conjure the realms of our imagination. </span></div>
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<i><span class="Apple-style-span" style="font-size: x-small;">Kim Keever lives in New York City and has exhibited extensively in museums and galleries throughout the United States and abroad. His work is currently on exhibit at the Hunterdon Art Museum in Clinton, New Jersey in the exhibition <span>Deconstructing Nature</span> and was most recently featured in <span>Otherworldly</span> at the Museum of Arts and Design in New York. Public collections include the Metropolitan Museum, New York, the Museum of Modern Art, New York, Brooklyn Museum of Art, New York, Chrysler Museum, Norfolk, Virginia, the Nassau County Museum of Fine Art, Roslyn, New York, the Hirschhorn Museum in Washington D.C. and the Virginia Museum of Fine Arts, Richmond.</span></i></div>
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<span class="Apple-style-span" style="font-size: x-small;">Working mainly with traditional pen and ink on paper, Oscar de Las Flores generates masterful figurative works, elaborately layered, that incorporate grotesque imagery with the beauty of sinuous lines. His drawings depict figures, both real and imagined, that tell the story of an unending battle between society's powerless and powerful. With a dark sense of humor that is Flores' own, his work also shows the influence of generations of artists, integrating the grace and detail of early masters with the imagination of the Surrealists.</span></div>
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<i><span class="Apple-style-span" style="font-size: x-small;">Oscar de las Flores is a Canadian artist born in El Salvador during Central America's most unstable political period. Its portentous history of the continent transpired and permeated his work since its beginnings: The occult pleas of the downtrodden, the forgotten migrants ever more invisible, the dramatic developments that corruption carries along. Canada, with its multifaceted and expanding universal cultural hybridization also contributed to the development of his visual vocabulary, its hues and histories of diversity and hope.</span></i></div>
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<i><span class="Apple-style-span" style="font-size: x-small;">As a child De las Flores had the opportunity of living a pivotal part of his childhood in Mexico, as a war refugee, it was here that he had the possibility of absorbing the spellbinding and hypnotic flux of this ancient, complex and often paradoxical culture. Mexico's culture essence as well as its pictorial legacy, greatly contributed to his development as an artist, so did classical literature, popular history, and art history, with a predilection for the baroque and expressionism. Oscar has searched through those identities to define a vision that is sensible to occult fragile existences, violent and dangerous realities, absurd social practices etc. with a care to detail. Oscar has traveled extensively to discern these actualities; his work has also been exhibited widely, primarily in print and drawing biennales and exhibitions.</span></i></div>
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<span class="Apple-style-span" style="color: #141414;"><span class="Apple-style-span" style="font-size: x-small;">Christy Langer's sculptural work is inspired by her interest in the embellishment that can occur during the marriage of gradual ingestion and manipulation of reference. Each work, although deviated, are reconstructions of previously existing models; the artist utilizes these animal forms to illustrate the disparity between reality and remembered experience. As the works evolve into an aesthetic state closer to realism while simultaneously referential origins based in truth degenerate, the boundaries between reality and falsity become blurred and permeable.</span></span></div>
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<i><span class="Apple-style-span" style="font-size: x-small;">Raised in Dryden Ontario, Christy Langer moved to Toronto in 1999 to study at the Ontario College of Art & Design. She earned her Bachelor of Fine Arts Degree in 2004. She has since worked in Toronto as a prop fabricator, sculptor, art director, and production designer parallel to the development of her fine arts practice.</span></i></div>
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<span class="Apple-style-span" style="color: #222222;">Balint Zsako's work filters the disparate elements of contemporary art through the language of figurative painting. Its like performance art recorded using Indian miniatures, land art described by medieval illumination, conceptual art acted out by the figures on a Greek vase or installation art transcribed into Egyptian hieroglyphs.</span></div>
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</span><span class="Apple-style-span" style="color: #222222;">The starting point for these paintings is the pose of a figure copied from a photograph or an old master painting. The next step is working out what direction the narrative is going to take. How will adding a minimalist construction of microphones and lightbulbs, a flock of birds or a vascular system that turns into the roots of a flowering plant contribute to the plot? Most of the stories center around themes of bodily functions, human interactions, sex and death but are held tightly in place by strict considerations of geometric balance and color relationships.</span><div style="color: #333333;">
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<span style="background-color: white; color: black;">*Presented in collaboration with The Proposition (NYC) where the "Appetite" continues from April 14 to May 27.</span></div>
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<span class="Apple-style-span" style="color: #222222;"><i><span style="color: #222222;">Balint Zsako was born in Budapest, Hungary in 1979 and immigrated to Canada with his family in 1988. Since graduating with a B.A in Fine Arts from Ryerson University in Toronto, he has exhibited his photographs, collages, sculptures, paintings and drawings internationally.</span></i></span><span class="Apple-style-span" style="color: #222222;"><i><span style="color: #222222;">The New Yorker Magazine, Harper's Magazine, The Walrus Magazine, Poetry Magazine and the New York Times Magazine have all featured his works. A travelling exhibition of his drawings was organized by the MoCCA in Toronto and is accompanied by the artist's first monograph.</span></i></span><span class="Apple-style-span" style="color: #222222;"></span><br />
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</span></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-54926374148734575942012-05-22T14:49:00.003-04:002012-05-22T14:53:58.614-04:00Press for Mike Bayne at The Armory ShowMike Bayne is included in "The Best of the Armory Show" on <a href="http://www.thedailybeast.com/galleries/2012/03/09/new-york-armory-show-2012-photos.html#slide7">The Daily Beast</a>.<br />
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Bill Clarke runs down the New York fairs in <a href="http://www.canadianart.ca/online/2012/03/15/nyc-fairs-bill-clarke2012/">Canadian Art</a>.<br />
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Ken Johnson mentions Mike Bayne's work in his review of The Armory Show in <a href="http://www.nytimes.com/2012/03/09/arts/design/armory-show-modern-and-contemporary-at-piers-92-and-94.html?_r=2">The New York Times</a>.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-53799635145641585072012-05-22T14:43:00.000-04:002012-05-22T14:43:13.488-04:00Mike Bayne Solo Presentation at The Armory Show<span class="Apple-style-span" style="color: #626262; font-family: arial; font-size: 13px; font-weight: bold; line-height: 20px;">Katharine Mulherin Contemporary Art Projects will be participating in the Armory Show in New York City with a Solo Project featuring Mike Bayne.</span><span class="Apple-style-span" style="color: #626262; font-family: arial; font-size: 13px;"></span><br />
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<span style="color: #2a2a2a;"><span class="Apple-style-span">Mike Bayne's exquisitely rendered paintings capture North American scenes that are familiar and iconic. At first glance, they are often mistaken for small photographs; yet, they somehow capture a reality that photographs are unable to. There is an aura of the unbelievable in Bayne's deliberately banal subjects, a determined skill that precisely captures every nuance of the scene — the isolation, the stillness, the quality of light, the richness of colour, the extreme attention to detail in every reflection, every surface, every blade of grass. While Bayne's work commonly depicts human absence and isolation, the viewer often gets a sense of "being there," the result of such an accurate depiction.</span></span></div>
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<span class="Apple-style-span">Mike Bayne attended Queen's University and received a BAH and BFA in 2001. In 2004, he received an MFA from Concordia University. He has had several solo exhibitions with Katharine Mulherin Contemporary Art Projects in Toronto and has participated in a number of group exhibitions in Chicago, New York, Vancouver, and Toronto. He was featured in the Museum of Contemporary Canadian Art's group exhibition Magenta Publishing Carte Blanche, in 2008, and was featured in a 2009 issue of Border Crossings magazine. He is the winner of the 2011 Kingston Prize for Portraiture.</span></div>
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<span class="Apple-style-span"><span class="Apple-style-span">The Armory Show</span><span class="Apple-style-span">, a leading international contemporary and modern art fair and one of the most important annual art events in New York, takes place every March on Piers 92 & 94 in Manhattan. Now celebrating its fourteenth year, the Armory Show is re-establishing itself as the most adventurous and dynamic contemporary art fair in New York City. The 2012 edition will feature an international roster of exciting, leading galleries, the acclaimed Armory Show VIP program, a lively opening night party at MoMA, the eclectic and engaging Open Forum program with major art- world figures, Armory Film, a series featuring an international selection of leading contemporary video and experimental films curated by Moving Image, and Armory Arts Week in partnership with New York's top cultural institutions.</span></span></div>
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</div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-4319059846754560102012-05-22T14:32:00.000-04:002012-05-22T14:32:28.249-04:00George Kuchar in the Whitney BiennialGeorge Kuchar is included in the 2012 <a href="http://whitney.org/Exhibitions/2012Biennial/GeorgeKuchar">Whitney Biennial</a>.<br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-60330533010565755952012-05-22T14:28:00.004-04:002012-05-22T14:29:34.058-04:00Bill Burns in the Huffington PostInterview and slideshow of A Brownnoser's Story in The <a href="http://www.huffingtonpost.com/2012/03/02/bill-burns-a-brownnosers-story_n_1317592.html">Huffington Post</a>.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-58162898286012996262012-05-22T14:23:00.000-04:002012-05-22T14:23:46.524-04:00Bill Burns: A Brownnoser's Story<br />
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<span class="twelvepointTHIN" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; font-weight: normal;">Katharine Mulherin is pleased to present A Brownnoser's Story, an exhibition of works by Canadian artist Bill Burns at Mulherin + Pollard, NYC.</span></div>
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"A Brownnoser's Story is the story of my relations with art critics, editors, dealers, museum directors and curators. The story is told in carved logs, photographs, words and watercolours. Many of the events that I describe take place while on hike, at log cabins, on northern lakeshores and in boreal forests.</div>
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The show consists of about 100 carved logs, some log carrying cases, a machine that tests artworld celebrity gloves, a photo and a set of watercolours. The logs are carved with the names of the top 100 people in the art world from Art Review. The photo is remade after a film still from "Thee Film" circa 1957 by Brion Gysin, Ian Sommerville and William Burroughs. The people in the picture are discussing the previously mentioned carved logs. The machine that tests art world celebrity gloves is a simple robot. The gloves are embroidered with the names of people who have either helped me, wronged me or who I still hope will help me. The watercolours tell of singularly important episodes in my life as an artist.</div>
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<br />A Brownnoser's Story tells how I got into the art world and how I manage my life in it. It's a catalogue of misadventure, failure, and success. One increment tells of how I nursed a visiting Taiwanese curator whose testicles had swollen, now to the size of navel oranges, now to the size of grapefruits, now to the size of melons. Since we were deep in the woods I jerry-rigged a sling for him from my own tee shirt and some birch saplings and I applied a poultice that I concocted from reindeer moss, pine needles and way-bread to sooth the pain and extract the contents of the grub coloured pustules that had erupted all over the afflicted area. Another increment tells of how, sometime after my first exhibition of Safety Gear for Small Animals in New York, television's Homer Simpson became a conceptual artist and began making safety gear for animals. Neither of these events proved to be particularly bankable. I was not, as I had hoped, invited to the Biennale in Taipei and the Simpsons episode has yet to have any tangible effect on my career." -Bill Burns, February, 2012</div>
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Bill Burns' work about animals and civil society has been shown and published widely including solo projects at the Fondacion Cristina Enea, San Sebastian, Spain (2010); Institute of Contemporary Arts in London, England (2008); and the KW Institute for Contemporary Art in Berlin, Germany (2007) and group shows at the Kunsthallen Nikolaj in Copenhagen, Denmark (2009); Museum of Contemporary Art and Design in Lausanne, Switzerland (2006); Museum of Modern Art in New York (2005-06); the Seoul Museum of Art in Korea (2002); and the Stedelijk Museum in Amsterdam (1995).</div>
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He has published more than ten books including Dogs and Boats and Airplanes told in the form of Ivan the Terrible, (Space Poetry, Copenhagen, 2011); Bird Radio, (Verlag der Buchhandlung Walther Koenig and KW Institute for Contemporary Art, Cologne and Berlin, 2007) and The Guide to the Flora and Fauna Information Station: 0.800.0FAUNA0FLORA, (Institute of Contemporary Arts, London, England, 2008). His writing and artist’s projects have been published in Publicsfear, Art Monthly, Re/Search, and Semiotext(e).</div>
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<br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-58415317848461304552012-05-22T14:19:00.001-04:002012-05-22T14:19:28.043-04:00George Kuchar: Snapshots & Twisted Tales<br />
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John Pollard is pleased to present Snapshots & Twisted Tales, an exhibition of works by the late filmmaker at Mulherin + Pollard, NYC<br /><br />In the 1970s, Kuchar actively returned to his childhood interests in comics, and the current exhibition Snapshots & Twisted Tales will focus on the graphic work that he produced during this period and published in Arcade: The Comics Revue, a magazine begun with the noted underground artists Art Spiegelman and Bill Griffith, neighbors of Kuchar’s in San Francisco. Arcade included work by a variety of other artists, including George's twin brother Mike, as well as R. Crumb. The show will also feature a few of George's childhood drawings, early cartoons made in the mid 1950s when he was a student studying commercial art at the School of Industrial Art (later the Manhattan School of Art and Design). These drawings prefigure some of his signature future themes and preoccupations centering on food, heartthrobs, and the struggles and mortifications of everyday living. The exhibition will also include a selection of his photographs—portraits and personal snapshots of friends and various locales encountered on his many travels.</div>
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He has recently garnered new attention and recognition in the contemporary film and art worlds marked by his retrospective exhibition at MoMA PS1, “George Kuchar: Pagan Rhapsodies,” as the subject of a recent article in the February Artforum, and his inclusion in the forthcoming 2012 Whitney Biennial (at the Whitney Museum of American Art, March 1–May 27, 2012), which will be showing a selection of his Weather Diaries, a series of video works produced between 1986 and 2011.<br /><br />Kuchar produced many paintings, works on paper, comics, and photographs during his lifetime, some of which were featured in the recent show at PS1. His works are represented by the ADA Gallery of Richmond, Virginia, whose director and owner, John Pollard, is also co-owner of Mulherin & Pollard, ADA’s sister gallery.<br /><br />With a catalog that includes over 200 films and videos, George Kuchar's artwork has been recognized through countless awards and grants, including The National Endowment for the Arts, The Eureka Fellowship Program, and a Ford Foundation Fellowship from United States Artists. He is the recipient of the prestigious Maya Deren Award for Independent Film and Video Artists from the American Film Institute, and the Los Angeles Film Critics Award for Independent/Experimental Film and Video. Kuchar's work has screened around the globe in cinemas, festivals, and major museums, including The Museum of Modern Art, New York, and the Pompidou Center in Paris. <br /><br />His films include Hold Me While I’m Naked (1966), selected by the Village Voice as no. 52 on its list of the 100 Best Films of the 20th Century; Eclipse Of the Sun Virgin (1967); and I, An Actress (1977), selected by the Library of Congress this past year for inclusion to the National Film Registry. His video works include Weather Diaries (1986–2011), and Secrets of the Shadow World (1989–99)</div>
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<br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-17909039256517008522012-05-22T14:15:00.000-04:002012-05-22T14:15:41.009-04:00Shannon Wright: Mechanical Reproduction<span class="Apple-style-span" style="font-family: Verdana, Geneva, sans-serif;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-size: 12px;">February 3 - 26, 2012</span></span><br />
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<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;">California artist</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><strong> Shannon Wright</strong></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;">’s installation Mechanical Reproduction parodies the industrial-age compulsion to create means for mass-producing everyday comforts for the modern home. An oversized rubber stamp is utilized to produce patterned wallpaper whose whimsically overlapping impressions and uneven stamping display more a sense of human indecision rather than any kind of machinelike precision. For Wright, the piece is a kind of “misguided labor-saving device” that may indeed offer more complications than easy solutions to the problem of mechanical reproduction.</span><br />
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<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-21009251121088114272012-05-22T14:11:00.001-04:002012-05-22T14:16:04.672-04:00Jared Clark, Bild<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;">February 3 - 26, 2012</span><br />
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<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><strong>Jared Clark</strong></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;">’s double-sided composition Bild poses as a painting from its frontal view (visible in the gallery’s window display) but reveals on its reverse a maelstrom of found objects ranging from wood, brick, and styrofoam to kitchen sponges and other household items. As in much of his other work, Jared references a Greenbergian flatness—“the privileged plane of painting”—on one hand, which he then subverts with the work’s playfully chaotic three-dimensional sculptural underbelly.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgTjsLa-zakqLJzZqS_pWmTf4BhnxkDFoSuW79VQ1bkpirr0HT2JcULTfZKi2ZnRHNR2zKxpuHooGnYg0rGLO1edvApXwHnJz8YJDSgKZDsvZhMOuSyAK141rNsHGBHdqrkO9nS9B1WQ2X/s1600/ADA_Gallery_Jared_Clark_Bild.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgTjsLa-zakqLJzZqS_pWmTf4BhnxkDFoSuW79VQ1bkpirr0HT2JcULTfZKi2ZnRHNR2zKxpuHooGnYg0rGLO1edvApXwHnJz8YJDSgKZDsvZhMOuSyAK141rNsHGBHdqrkO9nS9B1WQ2X/s400/ADA_Gallery_Jared_Clark_Bild.jpg" width="400" /></a></div>
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-24571275989124212622012-05-22T14:08:00.000-04:002012-05-22T14:26:00.703-04:00<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><strong>Bruce Wilhelm, </strong></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><em>Feelings For Dead Tree Thinklings</em></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Geneva, sans-serif; font-size: 12px;"><span class="style15" style="font-family: Verdana, Geneva, sans-serif; font-size: 12px;">February 3 - 26, 2012</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbuPgoOgh-T-P8IDp470V-iZ0v1twf4QWswrDqoFuuIlpbOib-uasLvuocJfKOMWYSHS4rbEkA-JMOxcZ_LpWnsFmCFUTDenGrrIG-2WdxhYYqyi8-zwM5OMvLQP7wl7oA32XL3M6EVr2Q/s1600/Bruce_Wilhelm_01_LR.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbuPgoOgh-T-P8IDp470V-iZ0v1twf4QWswrDqoFuuIlpbOib-uasLvuocJfKOMWYSHS4rbEkA-JMOxcZ_LpWnsFmCFUTDenGrrIG-2WdxhYYqyi8-zwM5OMvLQP7wl7oA32XL3M6EVr2Q/s320/Bruce_Wilhelm_01_LR.jpg" width="221" /></a></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-85697824277739214692012-05-22T14:05:00.000-04:002012-05-22T14:05:11.757-04:00<span class="Apple-style-span" style="color: grey; font-family: Helvetica, Arial, sans-serif;"><span class="Apple-style-span" style="font-size: 11px;"><br /></span></span><br />
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<tr><td class="artistname" style="color: grey; font-family: Helvetica, Arial, sans-serif; font-size: 10pt; font-weight: bold; line-height: normal; text-transform: none;">Bill Burns ( New York) Alika Cooper Carl D'Alvia Michael Harrington Kris Knight Christy Langer ( New York ) Annie MacDonell Rob MacInnis Goody-B Wiseman <br /><br /></td></tr>
<tr><td align="left" class="exhibitname2" style="color: grey; font-family: Helvetica, Arial, sans-serif; font-size: 10pt; font-weight: normal; line-height: normal; text-transform: none;" valign="top">Makin' It Natural</td></tr>
<tr><td align="left" class="bio" style="color: #626262; font-family: Helvetica, Arial, sans-serif; font-size: 7pt; font-weight: normal; line-height: normal; text-transform: none;" valign="top">January 6 - Jan 28, 2012<br /><br /></td></tr>
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<span class="Apple-style-span" style="border-collapse: collapse; color: #1a1a1a; font-family: Helvetica;">In conjunction with Robert Hengeveld's installation, Katharine Mulherin curates <i>Makin' It Natural </i></span><span class="Apple-style-span" style="border-collapse: collapse; color: #1a1a1a; font-family: Helvetica;">in our Freeman gallery, with works by nine artists from Toronto, Los Angeles, New York, Ottawa, and Maine, all of whom present a version of "natural" in their practice, whether embracing or questioning the notion of the term itself or our complicated struggle with it. Our relationship to animals, landscape, our inner animal and our own corporeal existence are examined in this exhibition of sculpture, textile work, painting, photography and printmaking.</span></div>
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Annie Dunning, Mount Waddington/Drumheller </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0OfVzR5eXF6k_HHh2sl0cdAWei47lNYdxLo1Mw-R-4w3yrtiJRhNXPMhVgJzUHWqieMiUKIZxuNspbM00U50ivUaVn1Pq9liG1jrC_LIPtnYQG1xM7D2dX9uThN9DpELHZ7g2-4AiFC0F/s1600/Robert_Hengeveld_ersatz_3202_397.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0OfVzR5eXF6k_HHh2sl0cdAWei47lNYdxLo1Mw-R-4w3yrtiJRhNXPMhVgJzUHWqieMiUKIZxuNspbM00U50ivUaVn1Pq9liG1jrC_LIPtnYQG1xM7D2dX9uThN9DpELHZ7g2-4AiFC0F/s400/Robert_Hengeveld_ersatz_3202_397.jpg" width="267" /></a></div>
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<tr><td class="artistname" style="color: grey; font-family: Helvetica, Arial, sans-serif; font-size: 10pt; font-weight: bold; line-height: normal; text-transform: none;">Robert Hengeveld </td></tr>
<tr><td align="left" class="exhibitname2" style="color: grey; font-family: Helvetica, Arial, sans-serif; font-size: 10pt; font-weight: normal; line-height: normal; text-transform: none;" valign="top">ersatz</td></tr>
<tr><td align="left" class="bio" style="color: #626262; font-family: Helvetica, Arial, sans-serif; font-size: 7pt; font-weight: normal; line-height: normal; text-transform: none;" valign="top">January 6 - Jan 28, 2012</td></tr>
<tr><td style="color: black; font-family: Helvetica, Arial, sans-serif; font-size: 10pt; font-weight: normal; line-height: normal; text-transform: none;" width="600"><br /><span class="Apple-style-span" style="border-collapse: collapse; color: #1a1a1a; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: x-small;"><span style="color: #232323;">Robert Hengeveld's new installation project, <i>ersatz, </i></span>consists of a collection of materials used to create an expansive composition comprised of synthetic rocks and trees, a series of orchestrated cuckoo birds, a clothes iron, fog juice, glass beads, cardboard, packing tape, lumber, hacked wildlife decoys, and many other materials – some created with the intent of mimicry, while others awkwardly beginning to take on marginal references to the 'natural' landscape given their associated company.</span><br /><br /><span class="Apple-style-span" style="color: #1a1a1a;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">The installation is animated through the periodic inflating and deflating of an inflatable deer. A makeshift smoke machine creates a subtle mist at the base of the beaded waterfall. Cuckoo birds periodically pop in and out of holes which pepper the fabricated cliff façade. All this is overseen by a chrome coyote perched high above, looking over the entire installation – part romanticized emblem of nature, part dollar-store trophy. A small bunny tucked in behind some boxes quivers intermittently.</span></span><br /><div style="color: #1a1a1a; font: normal normal normal 12px/normal Helvetica; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">
<b><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: xx-small;"><br /></span></b></div>
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: xx-small;"></span><span class="Apple-style-span" style="border-collapse: collapse; color: #1a1a1a; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">The work explores our capacity to suspend disbelief and our ability to meld our perceptions in order to fit within a predetermined notion of what it is we are seeing. We can choose to engage a mock rock as a rock or a plastic Christmas tree as a pine or spruce, despite our underlying awareness to the contrary. </span><br /><br /><span class="Apple-style-span" style="color: #1a1a1a; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="border-collapse: collapse;"><span style="border-collapse: collapse;"><span style="border-collapse: collapse;"></span></span></span><span class="Apple-style-span" style="border-collapse: collapse;"><span class="Apple-style-span">The at times conflicting collection of these manufactured elements do not set out to pass judgment – synthetic good, synthetic bad – rather their collective association questions and examines our relationship to the increasingly manufactured environments around us, and our interest in mimicking all things natural – to the extent of embossing wood grain in plastic lumber. The amplification and manipulation of the artificial within this peculiar installation sets a platform in which our existing relationship to the synthetic can be explored; its fiction shedding light on the reality (or recreated reality) of the world we live in. </span></span></span></td></tr>
</tbody></table>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-19800035365340396542012-05-22T13:54:00.002-04:002012-05-22T13:54:36.414-04:00STO and Brian Novatny in The New York Times<i>My STO Called Life</i> and <i>Picture Fishing</i> reviewed in the <a href="http://www.nytimes.com/2011/12/23/arts/design/sto-my-slow-called-life.html">New York Times</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-27639580587580558762012-05-22T13:04:00.000-04:002012-05-22T13:04:13.847-04:00Katharine Mulherin Contemporary Art Projectshttp://www.blogger.com/profile/07359467533767645952noreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-33886677013998354282012-05-18T15:14:00.001-04:002012-05-18T15:14:35.894-04:00So sorry for not posting for so long!Katharine Mulherin Contemporary Art Projectshttp://www.blogger.com/profile/07359467533767645952noreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-28966579728235858332011-11-30T13:12:00.004-05:002011-11-30T13:31:43.613-05:00Two exhibitions: Brian Novatny, "picture fishing" and Sto, "My Slow Called Life" opening December 8<div><p class="MsoNormal" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12pt; margin-left: 0px; font-family: arial, sans-serif; font-size: 13px; border-collapse: collapse; "><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">Mulherin + Pollard Projects is pleased to present two concurrent solo exhibitions for the month of December: STO, </span></span><i><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">M</span></span><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">y Slow Called Life</span></span><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; "> </span></span><span style="font-style: normal; "><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">and Brian Novatny, <i>picture fishing</i></span></span></span></i></p><p class="MsoNormal" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12pt; margin-left: 0px; font-family: arial, sans-serif; font-size: 13px; border-collapse: collapse; "><b><span style="font-weight: normal; "><b><i><span style="font-style: normal; font-weight: normal; "><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; "><b>Both exhibitions will run from December 1-31st. Please join us for a reception after we return from Miami on</b> </span></span></span><span style="font-style: normal; "><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">Thursday, December 8, from 6-9pm.</span></span></span></i></b></span></b></p></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgiG2Re85bL8QvSUd-HpmtbOHVEpoZA8wLMFpQQzE4-CHvPKU4TPwMQ1SRkHjky6MJxnqTazZpdQ4tK6lDcZ2ls8Jw3ieSMYTQ9vCSXD1lc-Z9wDzqx118WY4R3ZiYhMRwLwC8JfLMYKE/s1600/slowlifepcardweb.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 218px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgiG2Re85bL8QvSUd-HpmtbOHVEpoZA8wLMFpQQzE4-CHvPKU4TPwMQ1SRkHjky6MJxnqTazZpdQ4tK6lDcZ2ls8Jw3ieSMYTQ9vCSXD1lc-Z9wDzqx118WY4R3ZiYhMRwLwC8JfLMYKE/s320/slowlifepcardweb.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680857069027971250" /></a><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgiG2Re85bL8QvSUd-HpmtbOHVEpoZA8wLMFpQQzE4-CHvPKU4TPwMQ1SRkHjky6MJxnqTazZpdQ4tK6lDcZ2ls8Jw3ieSMYTQ9vCSXD1lc-Z9wDzqx118WY4R3ZiYhMRwLwC8JfLMYKE/s1600/slowlifepcardweb.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-family: arial, sans-serif; font-size: 13px; border-collapse: collapse; line-height: 17px; "><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">In </span></span><i><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">My Slow Called Life</span></span></i><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">,</span></span><b><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; "> STO</span></span></b><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; "> presents a tranquil, one room NY studio apartment scene as the backdrop for a variety of papier mache sculptures. Devoid of any people, we are left to ponder the objects on their own as we walk through the space. Leftover pizza on the table, old food in the fridge, a stack of books, some dirty socks, and a slop sink with paintbrushes as well as toothbrushes are just a few of the mundane objects recreated in chunky, lovable papier mache. There is a natural sense of whimsy in the limitations of the mache as a medium and it boldly reveals itself with rough textures and gobs of paint applied liberally. There is also a sense of comedy beneath the surface, as if the objects were laughing at their own meaninglessness and at us for needing them. These deadpan takes on quotidian objects question our common understanding of what is real and reveal the many ways that we are entangled with our possessions. By shining a spotlight on the everyday, these works evoke our own daily lives and slow us down long enough to take stock in what they really consist of.</span></span></span></div><div><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrt3Phm92mMqoMQWOuynYroIENwAf6zPW5Cz5waFR98WZN_I_UdW2oaUFXb23k_BsVy1lceFggbrNlC_gPtNRAVQAucdCh4GCWCe-YJ9L4-wCU5oG-5eEwKPVxy5n4nwaRcBA1Q4HkXDk/s1600/DO9+46a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 253px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrt3Phm92mMqoMQWOuynYroIENwAf6zPW5Cz5waFR98WZN_I_UdW2oaUFXb23k_BsVy1lceFggbrNlC_gPtNRAVQAucdCh4GCWCe-YJ9L4-wCU5oG-5eEwKPVxy5n4nwaRcBA1Q4HkXDk/s320/DO9+46a.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680856497224202770" /></a><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrt3Phm92mMqoMQWOuynYroIENwAf6zPW5Cz5waFR98WZN_I_UdW2oaUFXb23k_BsVy1lceFggbrNlC_gPtNRAVQAucdCh4GCWCe-YJ9L4-wCU5oG-5eEwKPVxy5n4nwaRcBA1Q4HkXDk/s1600/DO9+46a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpy9syAgzQSX-LEgrOEoSdgQR2R5wFyGe8fp82RzMPK8XY0xaKuwZetryUZbY9Fo8-GTs3S0090eTD1SZuNpLZSF869lsQBDzUxEe39cEWpcF56lPQf_NVrouqLUoM5Aes1iPM-IJwMF0/s1600/D11+26a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 254px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpy9syAgzQSX-LEgrOEoSdgQR2R5wFyGe8fp82RzMPK8XY0xaKuwZetryUZbY9Fo8-GTs3S0090eTD1SZuNpLZSF869lsQBDzUxEe39cEWpcF56lPQf_NVrouqLUoM5Aes1iPM-IJwMF0/s320/D11+26a.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680853633539060930" /></a><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpy9syAgzQSX-LEgrOEoSdgQR2R5wFyGe8fp82RzMPK8XY0xaKuwZetryUZbY9Fo8-GTs3S0090eTD1SZuNpLZSF869lsQBDzUxEe39cEWpcF56lPQf_NVrouqLUoM5Aes1iPM-IJwMF0/s1600/D11+26a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-family: Courier; font-size: medium; "><b><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; ">Brian Novatny</span></span></b></span><span class="Apple-style-span" style="font-family: Courier; font-size: medium; "><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; "> beautifully employs a sophisticated technique of light touch and seeming tentativeness to his engaging pictures. The vulnerable quality of the artists’ mark echoes the confused, preoccupied, or uncertain sense of the figures. In the same way that the people are disconnected from one another in their environs, they are frequently similarly disjointed themselves, as their bodies and heads may be alternately painted or drawn in contast to one another, or the scale of two people in the same space disproportionate. Yet, amid all this uncertainty, Novatny’s broken stories manage to engage and delight. Novatny’s drawings are colorful, intimate works that are disconcerting and oddly charming.</span></span></span></div><div><br /></div><div><br /><p class="MsoNormal" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12pt; margin-left: 0px; border-collapse: collapse; font-family:arial, sans-serif;font-size:13px;"><span class="Apple-style-span" style="font-family:Arial;"><span class="Apple-style-span" style="line-height: 17px; font-size:-webkit-xxx-large;"><br /></span></span></p></div></div></div>MULHERIN POLLARD PROJECTShttp://www.blogger.com/profile/16498160537950693202noreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-77557343441474029962011-11-25T12:32:00.005-05:002011-11-25T12:38:24.532-05:00Heather Goodchild and Mike Bayne- through November 26th<div><b>Mike Bayne, </b><i><b>Kingston Spring and Muffler</b></i></div><div><i><br /></i></div><div><i><span class="Apple-style-span" style=" font-style: normal; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:Verdana, Geneva, sans-serif;font-size:12px;">"In high school I saw a movie by Gus van Sant where Joaquin Phoenix and Nicole Kidman conspire to kill Matt Dillon’s character. It was set in a small North Eastern, North American town. It took place largely in winter. It must have resonated with me because I remember it vividly. I can see the overcast skies casting cool light over moss greens, rust reds and any number of shades of brown and grey. I remember back alleys, trees without leaves, dead grass, snow, dilapidated white-sided buildings and small, unused, wooden churches. It wasn’t really the plot of the movie that was interesting – I think Casey Affleck and Phoenix are arrested for murder and David Cronenberg makes a guest appearance as a hitman and promptly kill’s Kidman’s character – it was the setting that I was really attracted to. And what was interesting was that the movie was shot, in part, in the small town where I lived at the time. So, it wasn’t that I could just relate to the feel of the setting. I actually, literally, knew that place intimately. And maybe it transformed the way I thought about and how I looked at where I lived. It was still the place where we went about the banality of our daily routine – where we trudged through the snow to school, didn’t wake up on time, dressed badly, bickered, weren’t as good looking as movie stars, had poor posture, anxiety and shortcomings, and generally exemplified all the frailties that encompass the human condition - but it also became rich with possibility."<br />-Mike Bayne, October 2011</span></i></div><div><br /></div><div><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikyvHEJ0W8zXcLYdMf8eFu810r26vAM4ME6dtCr8rNc7-0ELCo9WrHdFlNIOl3aSZ_b4c6-t52x5SbbUo3OJ7vIUnJGkdEmlsIfOtwIQ_uIoO_67EPbtHDCWNR0-YRbjJ62qZMGktpRtk/s1600/Bayne+-+CheaperSuper_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikyvHEJ0W8zXcLYdMf8eFu810r26vAM4ME6dtCr8rNc7-0ELCo9WrHdFlNIOl3aSZ_b4c6-t52x5SbbUo3OJ7vIUnJGkdEmlsIfOtwIQ_uIoO_67EPbtHDCWNR0-YRbjJ62qZMGktpRtk/s320/Bayne+-+CheaperSuper_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678988382358446850" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_b9V_AoZAJLSGkzLQeGKTqt8D_zflaX83s-BM4oF_tsEJup1-g62GiDmyvBM_7ANXrj1NkLxcHc3LE1uRH-Iw77TjLBnQiX3kryKK4Gtjob8ZpgW6XnoKdDST1Lve4xHnO5hoYlSP-V4/s1600/Bayne+-+GreenTrim_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_b9V_AoZAJLSGkzLQeGKTqt8D_zflaX83s-BM4oF_tsEJup1-g62GiDmyvBM_7ANXrj1NkLxcHc3LE1uRH-Iw77TjLBnQiX3kryKK4Gtjob8ZpgW6XnoKdDST1Lve4xHnO5hoYlSP-V4/s320/Bayne+-+GreenTrim_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678988057758730722" /></a><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><b>Heather Goodchild, </b><i><b>Walking the Pattern</b></i></div><div><i><br /></i></div><div><i><span class="Apple-style-span" style=" font-style: normal; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:'Courier New', Courier, monospace;"><p align="center" class="style15" style="text-align: left;font-size: 12px; font-family: Verdana, Geneva, sans-serif; ">Heather Goodchild's practice involves exploring the rituals, regalia and symbols of world religions, Girl Guides and Freemasonry in an attempt to understand the purpose of these traditions. Using traditional textile techniques such as rug-hooking, inlaid patchwork and quilting, she has developed new ways to execute old crafts, creating pieces that seem to exist both in the past and present.</p><p align="center" class="style15" style="text-align: left;font-size: 12px; font-family: Verdana, Geneva, sans-serif; ">Recently Goodchild has used the scaffold of a fictitious ladies organization (The Wardens) begun in the late nineteenth century with roots in sixteenth century Germany to express her ideas. By creating this society, including its rituals, mythology, moral code and material paraphernalia, Goodchild is able to examine the necessity of such rites in a twenty-first century culture that often lacks the trappings of traditional religion.</p><p align="center" style="text-align: left;"> </p><p align="center" class="style15" style="text-align: left;font-size: 12px; font-family: Verdana, Geneva, sans-serif; ">Walking the Pattern</p><p align="center" class="style15" style="font-size: 12px; font-family: Verdana, Geneva, sans-serif; "></p><div style="text-align: left;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family:Georgia, serif;font-size:16px;"><i><span class="Apple-style-span" style=" font-style: normal; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:'Courier New', Courier, monospace;"><p align="center" class="style15" style="font-size: 12px; font-family: Verdana, Geneva, sans-serif; display: inline !important; ">As you lead, learn to follow</p></span></i></span></div><div style="text-align: left;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family:Georgia, serif;font-size:16px;"><i><span class="Apple-style-span" style=" font-style: normal; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:'Courier New', Courier, monospace;"><p align="center" class="style15" style="font-size: 12px; font-family: Verdana, Geneva, sans-serif; display: inline !important; ">As you follow, learn to lead</p></span></i></span></div><div style="text-align: left;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family:Georgia, serif;font-size:16px;"><i><span class="Apple-style-span" style=" font-style: normal; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:'Courier New', Courier, monospace;"><p align="center" class="style15" style="font-size: 12px; font-family: Verdana, Geneva, sans-serif; display: inline !important; ">Be gracious, patient and diligent</p></span></i></span></div><div style="text-align: left;"><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family:Georgia, serif;font-size:16px;"><i><span class="Apple-style-span" style=" font-style: normal; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:'Courier New', Courier, monospace;"><p align="center" class="style15" style="font-size: 12px; font-family: Verdana, Geneva, sans-serif; display: inline !important; ">And all will benefit</p></span></i></span></div><p></p><div><br /></div></span></i></div><div><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMm-m9y_AAMygO5XTrOYtPXKTjwyZcfmp7U1FbOGxNA1FmpB14h9n1jgfn880R3Gn39WkjO660k25FV6PYRFzZjxNdiota6ZbxVgndRhxzA8bVb8RSefVhEtVVSoxhiU4Z30phJLfpmqg/s1600/Goodchild_job+wheel_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 310px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMm-m9y_AAMygO5XTrOYtPXKTjwyZcfmp7U1FbOGxNA1FmpB14h9n1jgfn880R3Gn39WkjO660k25FV6PYRFzZjxNdiota6ZbxVgndRhxzA8bVb8RSefVhEtVVSoxhiU4Z30phJLfpmqg/s320/Goodchild_job+wheel_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678987835305470514" /></a><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMm-m9y_AAMygO5XTrOYtPXKTjwyZcfmp7U1FbOGxNA1FmpB14h9n1jgfn880R3Gn39WkjO660k25FV6PYRFzZjxNdiota6ZbxVgndRhxzA8bVb8RSefVhEtVVSoxhiU4Z30phJLfpmqg/s1600/Goodchild_job+wheel_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMm-m9y_AAMygO5XTrOYtPXKTjwyZcfmp7U1FbOGxNA1FmpB14h9n1jgfn880R3Gn39WkjO660k25FV6PYRFzZjxNdiota6ZbxVgndRhxzA8bVb8RSefVhEtVVSoxhiU4Z30phJLfpmqg/s1600/Goodchild_job+wheel_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span><br /></div></div>MULHERIN POLLARD PROJECTShttp://www.blogger.com/profile/16498160537950693202noreply@blogger.comtag:blogger.com,1999:blog-7411952964019339152.post-73287103128777549372011-10-19T17:44:00.009-04:002011-10-19T18:26:16.159-04:00images from our current exhibitions: JIMMY TROTTER & DAYDREAMING ANIMALS<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ_eApf8ow1B54-NlXGK0OYAIVgDPqvVdlxMnclOp3upTI8dAKlYl4hkeHyV9sr0JXMa-9_t_HnxLoNHkKjSDvBshEYLXQ68wCHs-Wn_1BdWxVUieTiq7HKskTRb7ryEztlA_7JAYmBtY/s1600/jt_ablesseddistance2_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 220px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ_eApf8ow1B54-NlXGK0OYAIVgDPqvVdlxMnclOp3upTI8dAKlYl4hkeHyV9sr0JXMa-9_t_HnxLoNHkKjSDvBshEYLXQ68wCHs-Wn_1BdWxVUieTiq7HKskTRb7ryEztlA_7JAYmBtY/s320/jt_ablesseddistance2_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665333099060181170" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMgPOLJitpGbVOqwPUUKJc5_YhbxKPAKgaJx2LPX509BZ6i4rqcQ-gCEeOJcJhvwxUk_9whRHa4_XJzuBFMNHaIFl-cTgfslL25bsHSSSeh5R23UUiO2O5sevnLDEeF6OCWT1qqppiLyg/s1600/pw_sameboat_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 203px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMgPOLJitpGbVOqwPUUKJc5_YhbxKPAKgaJx2LPX509BZ6i4rqcQ-gCEeOJcJhvwxUk_9whRHa4_XJzuBFMNHaIFl-cTgfslL25bsHSSSeh5R23UUiO2O5sevnLDEeF6OCWT1qqppiLyg/s320/pw_sameboat_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665333093747108354" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzmsKWazzjkJUo8nbwjTRYd0ny1axp04KBzYVDRRqGwlXUgdAY3jJrTYP7wXDLY-E6S2WrRxMt50XJdxglh9ZjpSCmFduWqBCidzFwvDiP7rJnn1iZYywIhB_67dos6l60K1-c2wW1_oQ/s1600/mdnf_3tonguestouching_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzmsKWazzjkJUo8nbwjTRYd0ny1axp04KBzYVDRRqGwlXUgdAY3jJrTYP7wXDLY-E6S2WrRxMt50XJdxglh9ZjpSCmFduWqBCidzFwvDiP7rJnn1iZYywIhB_67dos6l60K1-c2wW1_oQ/s320/mdnf_3tonguestouching_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665333087389424866" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2GKS4L0DEr1DVozoA92pKKTXF7R_wI6uW_8EWai33J6ujs_PAATlRL5xcU-iSb25ZWpatq8mosT53Yza_9XYRqGjE6EvdlFGRpyk6_Fva11Q1AXIrzstrI8oFoG1aC5RRzWBmx6AeTa0/s1600/ablebrown_pipingplover_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 251px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2GKS4L0DEr1DVozoA92pKKTXF7R_wI6uW_8EWai33J6ujs_PAATlRL5xcU-iSb25ZWpatq8mosT53Yza_9XYRqGjE6EvdlFGRpyk6_Fva11Q1AXIrzstrI8oFoG1aC5RRzWBmx6AeTa0/s320/ablebrown_pipingplover_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665333058398915954" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3oUKRjUtQIG70cRD2aLgfvizo7Mifjrv3dmb9Wx-Z21rsa1EX_F5Frhmr-ow5yCWued6l3VgM71DNYbw0K3YCletKHXV8ecj7Qu6z48mphwWU2Jt8cSAgSvorOHpXSIUso8AWScVN8gw/s1600/DreamKill-GalacticConquest_Trotter.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 205px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3oUKRjUtQIG70cRD2aLgfvizo7Mifjrv3dmb9Wx-Z21rsa1EX_F5Frhmr-ow5yCWued6l3VgM71DNYbw0K3YCletKHXV8ecj7Qu6z48mphwWU2Jt8cSAgSvorOHpXSIUso8AWScVN8gw/s320/DreamKill-GalacticConquest_Trotter.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665333051974331858" /></a><br /><div><div><div>Our current exhibitions are:</div><div><br /><div><i>The Sweetest Kill, </i>a solo exhibition by Jimmy Trotter in the Chrystie Street Space</div><div>and <i>Daydreaming Animals, </i>a group show curated by Able Brown and Casey Farnum</div><div><br /></div><div>Both exhibition are up through October 30th. Please come by!</div></div></div></div><div><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYr7SeD2WIbfcxfkCDRgFKAj6ETnte5kO4bfrtsRI_H61syrNyn64ZYGXKyZ3dVVwgR-UK-zr3nHb9xYXfNwEbGpqre4AJ4lPmjL4UuC_eYB2Qb36VSAUcGDwejv7g6RG3mgUTYv-i1Rk/s1600/cr_nocampingshadows_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 170px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYr7SeD2WIbfcxfkCDRgFKAj6ETnte5kO4bfrtsRI_H61syrNyn64ZYGXKyZ3dVVwgR-UK-zr3nHb9xYXfNwEbGpqre4AJ4lPmjL4UuC_eYB2Qb36VSAUcGDwejv7g6RG3mgUTYv-i1Rk/s320/cr_nocampingshadows_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665325627904494290" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN-i2qsUjYu0cVK6FCsjYrinB71Lli5z8a_2r8YpDUPBk26bOGi99RV-lQII65kRSGRr0-jWXAdwwV2ci56xmaAGA_fBwPuQEF8kTXlbj6t2rLMlnfuIRGTD-Q3qvjYOWohBgC3u4VP-s/s1600/ht_continue.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN-i2qsUjYu0cVK6FCsjYrinB71Lli5z8a_2r8YpDUPBk26bOGi99RV-lQII65kRSGRr0-jWXAdwwV2ci56xmaAGA_fBwPuQEF8kTXlbj6t2rLMlnfuIRGTD-Q3qvjYOWohBgC3u4VP-s/s320/ht_continue.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665325359144418546" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPfDBBWPluNj8pgn2LcZFLftyhC7Yp8CQ0qlqCOYM4dWPmsTgeyMNC3aktmgIXGAbuyWVOaalMU8kJuYhuv_yPZbHneNhTqByz2woP_r70CcDclvHOcLMwY4LypgX8HdwQsf1G5Lw8Zxs/s1600/jt_chelseagirls_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 220px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPfDBBWPluNj8pgn2LcZFLftyhC7Yp8CQ0qlqCOYM4dWPmsTgeyMNC3aktmgIXGAbuyWVOaalMU8kJuYhuv_yPZbHneNhTqByz2woP_r70CcDclvHOcLMwY4LypgX8HdwQsf1G5Lw8Zxs/s320/jt_chelseagirls_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665324788031599474" /></a><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB1ugNaaat13Ra43Bc9t1QfBAzKtVk0Y7d2F5QgUSvYaSX7PwTyAzzJEUPnJlp37AHg7jFRk114mazT-Zbm7NOlJ5D_vvB5xjf9fQraIkwMSJeWzs0eU1UxdpSiSYtOsJf1WAiILryzgg/s1600/jt_babylondetail2_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB1ugNaaat13Ra43Bc9t1QfBAzKtVk0Y7d2F5QgUSvYaSX7PwTyAzzJEUPnJlp37AHg7jFRk114mazT-Zbm7NOlJ5D_vvB5xjf9fQraIkwMSJeWzs0eU1UxdpSiSYtOsJf1WAiILryzgg/s320/jt_babylondetail2_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665324383815345618" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLfYV8TvkfZFXVQQ3EoBvR5vQfPZA6YQK3Rkj6QTRVaST6G7R9CGW5uTyeAD6ocn9h_EEiwHs-q4PZYyLTgO7X-UJdo_YYQi6ckU88_55fQ8-ybYd9tDp396jQYkqykacYZJOd3y934ns/s1600/jt_babylon_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 220px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLfYV8TvkfZFXVQQ3EoBvR5vQfPZA6YQK3Rkj6QTRVaST6G7R9CGW5uTyeAD6ocn9h_EEiwHs-q4PZYyLTgO7X-UJdo_YYQi6ckU88_55fQ8-ybYd9tDp396jQYkqykacYZJOd3y934ns/s320/jt_babylon_L.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5665324166816141794" /></a><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLfYV8TvkfZFXVQQ3EoBvR5vQfPZA6YQK3Rkj6QTRVaST6G7R9CGW5uTyeAD6ocn9h_EEiwHs-q4PZYyLTgO7X-UJdo_YYQi6ckU88_55fQ8-ybYd9tDp396jQYkqykacYZJOd3y934ns/s1600/jt_babylon_L.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><span class="Apple-style-span" style="color:#0000EE;"><u><br /></u></span><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div><div><i><br /></i></div></div></div>MULHERIN POLLARD PROJECTShttp://www.blogger.com/profile/16498160537950693202noreply@blogger.com